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All right Danzig... You know what's funny you said that in the video. That was my first thought when I saw you It was that you look somewhat like Glenn Danzig.. Anyway, before I came here I watched another of bootleggers videos with their little blues 15. It was loud I unneededly, and granted the one presenting the amp which I believe was the owner, was horrible, but at the amp itself wasn't impressive at all. So I search for other videos of his work and I found you and I'm still with the same impression. And hell first of all, that amp is nothing like a dumble. Nothing. I think the guys on cocaine or something and thinking he's way cooler and way better of an Amp builder than he really is.. That goes for his playing also.... But yeah Danzig, I'm going to have to give a thumbs down on this thing. Looks like most others did too. When you first turn it on, first strum I thought immediately that sounds like an old silver tone or Sears branded amplifier from the '70s. You know the real cheap ones with s***** cabinets And just as s***** speakers? There's just as no real tone there! Yes the overdrive channel has a little bit of something but it's really not that sought after of a sound. Sort of like something that comes from a crate. And I'm not bashing on crate entirely, I have there vintage 50 and I like it. But, you get what I'm saying I'm sure. Just too much crap on it that doesn't really give a pleasing tone, too crappy of a cabinet, too small of a cabinet. So it just doesn't have much going for it at all in my opinion. Then I hear the price. I'm like oh my gosh this guy's an idiot. The builder I mean. There's no way that amp is worth $1,500. Now if he priced it at 300 he could probably sell some amplifiers, at 1500 I'll be surprised if he sells any. If he does sell a couple by chance he's going to have some returns on his hands!!!

I have a jackson monarc pro. Best guitar under a $1000.00. Guaranteed.

Hey, Alex Lifeson of Rush did some of his best work on a Gibson 335 which is very much this style of guitar. . You metal heads out there don't scoff.

morons think a $2,500 les paul actually costs $2,000 to make - or $1,500, or along those lines. no, it costs under $100 to make. probably well under, depends on how much manual labor goes into it, and the location on the globe for that labor. even in the us, i don't think a guitar goes through more than an hour, combined, of manual labor. the rest is the brand, and everybody's markup. same goes for pickups, and everything else - i mean, how much is 100 g of alnico magnet, machine wired with a bunch of copper wire, dipped in wax, and with a cap on? probably around $5 - adjust to inflation. it used to be that people would listen to their ears, and if they could get what they liked for cheap, even better. nowadays morons need to look at the price tag to know if they "like" something of not - is it recommended, and what does that make them? i've got a $20 epi pro 2 pickup set - ok, it was $40, but i got a messed up order discount - and it sounds bitchin'. absolutely bitchin'. i've got got a ceramic three singles set on my strat - i've upgraded various stuff, but i've kept those. the stock set of a $150 aria guitar. it sounds - it's probably already apparent - bitchin'. i'll probably test them, at some point, against some vintage mod that, at some point, i'm considering getting - no rush, cause, like i've said, the guitar already sounds bitchin', but until then i've got no reason to complain - and no reason to look for something else, really, just lazily thinking if i can do better. i promise you the cable you're using, and the pickup height make more of a difference than 200 bucks in price, if you've already got good quality cheap. but people most likely think with their insecurities and ego, rather than their actual tastes and ears. remember the $500 lee malia epi explorer - and that already had proper markup - that got to $700, cause the demand was so great, and then they discontinued it, cause it was fucking with gibson's proper sales. that's how the "market" works. there is something that you need to pay attention to, though, if you get a really cheap guitar, and it's for real - and personally verified. the wood. in addition to the finish quality, fretwork detail, and all that, that i imagine everybody knows. and it's NOT whether it's "real wood" or not - of course it's real wood - or what kind of wood it is, it's how well it's cured. most likely, not well at all. and you can set it amazingly, plays great, low action, all nice and dandy, you're happy as candy, but in time, your neck will start to warp in all kinds of ways. the bow is gonna become asymmetrical, stuff like that. NOW, there is a cure, fear not, and it doesn't cost much. get you some wall hangers, and hang your guitar by the neck until - you know the rest. after you've done the proper set up, obviously, store it like that for a a few years, and it will cure properly, then you won't give a sh** - you're not allowed to say shit.

I have a Firefly BB King copy, and out of the box kicks an Epi Dots azz.

Summer NAMM is still happening, they just rebranded it to NAMM NeXT - it's still about industry but they're shark tanking it a bit. Literally :-) This month, Nashville, honestly it seems refocused almost right at influencers and industry parts that get a little less attention at the annual main show, strategy, business, etc. not just *stuff* or 95% the same stuff with new paint. I am very curious to see who attends, from what organizations, and what they're bringing to demo or push.

It mite matter , but I like to see a guitar built with quality and craftmenship at a reasonable price for working musician who see their instruments as a tool and an extension of them selfs not as a collector piece. Or custom shop bull s . T😢hey no it takes a lot of work for working musicians and these prices are over the top. When you see these company from Japan south Korea and China, Indonesia making guitars the way they are for a fraction of the price what's that tell ya . Just my thoughts. I like to see the manufacturing come back here with the same intensity and quality at a reasonable price that would benefit everybody here in or country. Why let them out shine us when we do it the best when we put or shoulder to the grin and give a major women a sense of pride because the are working and taking care of their bissness without worry about a hand out

I don't want Fender back at NAMM. I don't want Fender wasting more money on marketing. I want Fender to invest in R&D, such as inventing new innovative headless guitars.

Thanks for the comparison, appreciate it!

His ability to play as truly an inspiration. 🙏🕊️❤️

The show can be a bit deceiving because he's such a doggone good guitar player, he could make a tennis racket sound fantastic. At the same time, you could buy me a $10,000 Custom Shop Relic Les Paul and I can't make it sound as good as a tennis racket.

I would still go for the deal.. I like Gretsch's, some Gibson's, and D'Angelico's.. I have not ventured into Firefly's, Grote's and similar guitars.. so I think I owe to myself to at least of these market beaters! Thanks!

looks a lot like my washburn parrallax 10 single cut. Love that guitar.

I had a job drawing maple!

Both of those were fake wood!!

i havent tested anything on my Fesley guitars yet, but i clean my hands before and after i mess w/ them.

I would also try the cutlass that is more like a HSS strat that sells for 500

People put way too much emphasis on cosmetics like binding. Ears cant see any of it. The stuff that matters is hardware, woods, electronics and construction which is where this axe seems to shine for its PP.

Lets dye Metal Dudes hair green, enough with that red haired mop he wears.

I have numerous complaints about Guitar Center but I won't go down that hole. I must say it does suck if guitar stores in general are gone in the near future, because I do like the tangible side of it, however I shop on Sweetwater so much these days due to their excellent customer service, advice and the fact that everything comes with a 2 year warranty, no charge. I am also not into buying bass guitars like I was because I am happy with the few I have and mainly rotate between 2-3 when I perform. Modifications are what I do more to a guitar these days and I can't sample things like certain pickups in guitar center because they aren't on the instruments there. So I can see both sides of it, especially if you're new to the game and tangibility is what you need. For most of us that have been in the game quite a while, we know what we like for the most part so it's a fast in-and-out type of transaction. One thing I noticed lately at guitar center though, they have locked up sooooo many of the basses. I guess the only alternative left from brick and mortar guitar stores are pawn shops. I have gotten great deals there!

Oh goodie we will get more in the face stupid from Fender where one will be on how Fender manipulates guitars to make them look like a poorly done fake vintage one. Fender is off its rocker with the RELIC stamp.

I REALLY want to hear the S with Gibson pickups. I hate shred crap, just curious about the sound of versatile pickups to play even jazz on the Ibby S.

Economy is really bad too and musical instruments are expensive. Alot of these stores hire musicians that typically aren't good at sales

Guitar Max hey is it better than high end Epiphones and Gibsons 😅😅😅😂😂😂NOT!!

Nice guitar & nice playing, think i might get one of these. Used to be a big fan of Epiphone, but as the price has increased the quality has come down. These inspired by Custom shop need a massive amount of fettling to get them to play right. They do look pretty hanging on the wall though lol, best pace for them imho

I’ve always shopped at AMS or zzounds & Sweetwater is usually my last choice just because AMS and zzounds offer no interest no credit check payment plans. Hey I’m a broke musician and payment plans are an amazing choice just for that very reason. Long live AMS & zzounds. 🎸🎹 🎤🖤

Too many Samashes and Guitar Centers: a customer walks in, but employees are high / hanging out talking to one another / nowhere to be seen, guitars are dirty /super high action/unplayable, no picks available, not enough amps to test an instrument, someone is slapping on volume 10 in small bass room for an hour at a time, then their friend takes over, so hard to test-drive a bass, no employee in the drum corner / acoustic guitar room... Then they sulk about business failure. Internet sales are and will be the future.

Guitar center a block wide opened up right across the street from sam ash "i think i have an idea what happened"

Great guitar BUT I changed pups guys! I added Suhr Aldrich to my White tele and now it sound like heaven with balls 🔥🔥🔥 🤯 my favorite guitar ever

5:31 How 'knot' to do a finish on a guitar.

Your forehead is getting bigger. Give up on the long black dyed hair. You're done growing hair.

Anyone going through DFW needing equipment.... MURFFYS MUSIC IRVING TX;

Neck pocket gap😮

ZZOUNDS is my go to...one word... EASY

Great Imfo

subscribe people

love ya that's ugly

I went into guitar center many times and it really depends on who's working at the time because some sales people can be great, and some can seem like the customer is a burden to them. But it's hard to find good employees when you pay very little.

Don't destroy them. Sand off fake brand label. Lightly alter the serial number. Just "X" over a couple of digits. Get wood burning tool(actually a hand gadget in general ) and in loud, bold lettering write "COPY"". And give it to a school or house of worship. Don't think any negative outcome is likely. Or just set it out, intact, at the kerb when they collect the garbage. Won't last till lunchtime...hard working guy got a little bonus today.

Trade shows are coming back after the pandemic in every industry. Of course the internet is critical for marketing. But don't under estimate the power of word of mouth, especially from people who work in the industry.

Lo que Màs Adoro de 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬𝑹 𝑷𝑨𝑵𝑬𝑳 es que Las VISTAS Sirven Para RUclips, Facebook, Instagram, Y LLegan Super Rapido al instante Comparados con otros Sitios web.

Gracias 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬𝑹 𝑷𝑨𝑵𝑬𝑳 por su apoyo durísimo a mi Canal de Musica y Mis Canciones, ellos están en Todas las Redes face, RUclips.

I got a premium HB Strat - the st25th. The wood splintered at the trem posts making the body a total write off in jusr 4-5 months. Thomann shrugged off the warranty completely saying it "must have been dropped". These people are total frauds and I will expose them soon.

Gracias 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬𝑹 𝑷𝑨𝑵𝑬𝑳* le debo mucho, ya que mi Canal de Artista en RUclips esta Creciendo en Vistas y Suscriptores. Gracias a INFLUENCER PANEL.

Gracias 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬𝑹 𝑷𝑨𝑵𝑬𝑳 por su apoyo durisimo de Marketing a mi Musica estan en Todas las Redes.

Muchas gracias, mi canal de Artista de Musica está creciendo gracias a influencer Panel Con el pack de visualización que compre.

Promocionaba Mis Videos MUSICALES en Todas Las Redes Sociales pero no recibian trafico. Hasta que Me decidí Usar 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬𝑹 𝑷𝑨𝑵𝑬𝑳 y Aumentaron Mis Vistas organicas y Seguidores, Mil Gracias.

Los recomiendo mucho para posicionar videos de Musica con me Gustas y Comentarios de gente real Gracias INFLUENCER PANEL.

Cuando Publicaba un Lanzamiento en RUclips recibía vistas lentamente, Pero ahora Gracias a 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬𝑹 𝑷𝑨𝑵𝑬𝑳 las Vistas llegan Rápido y Mis Videos y Musica se posicionan Mejor en RUclips.

Hey AIO FAN'S.the Specs of the 2021 Epiphone custom koa Les Paul recently discontinued and on Sale what's left of them..ask max where the A.I.O specs even comes close to this Epiphone..Les Paul Custom Bound All-Mahogany Body w/ Koa Top 24.75" Scale Rolled Mahogany Neck w/ Ebony Fretboard & Pearloid Inlays Dual ProBucker Humbucker Pickups Era-Appropriate Wiring & CTS Potentiometers Fixed Bridge, Graph Tech NuBone Nut '60s Style Kalamazoo Headstock & Grover Rotomatic 18:1 TunersThe new Epiphone Koa-topped mahogany body Les Paul Custom is part of Epiphone’s Inspired by Gibson Collection and honors the 1950s classic designed by Mr. Les Paul himself in 1954 as the “tuxedo” version of his groundbreaking solid body masterpiece! Featuring the traditional Custom bound all-mahogany body, 60s SlimTaper™ neck profile, ebony fingerboard with block inlays, gold Epiphone LockTone™ Tune-O-Matic™ bridge and Stop Bar tailpiece, a pair of critically acclaimed Epiphone ProBucker™ humbuckers, and Custom split-diamond inlay on the headstock. This Epiphone Inspired by Gibson model also has the 60s style Kalamazoo headstock, rolled neck for a comfortable feel, Graph Tech® NuBone® nut, era-appropriate wiring, and CTS® pots.Body Type: Solidbody Body Shape: Les Paul Custom Body Material: Mahogany Top Material: Koa Body Finish: Gloss Color: Natural NECK Neck Material: Mahogany Neck Shape: Slim Taper Neck Joint: Set Neck Radius: 12" Fingerboard Material: Ebony Fingerboard Inlay: Pearloid Blocks Number of Frets: 22, Medium Jumbo Scale Length: 24.75" Nut Width: 1.693" Nut Material: Graph Tech NuBone HARDWARE Bridge/Tailpiece: Epiphone LockTone Tune-O-Matic Bridge with Stopbar Tailpiece Tuners: Kidney-style Tuners ELECTRONICS Neck Pickup: Pro Bucker 2 Humbucker Bridge Pickup: Pro Bucker 3 Humbucker Controls: 2 x volume, 2 x tone Switching: 3-way toggle pick